Sicilienne, Maria Theresia Paradis, 3.11ДЎ2. Concerto for Oboe in D Minor, Op.9 no.2, 3.40ДЎ1. Duet for Trombone and Organ, Gustav Holst, 9.08ДЁ.

It does though whet the appetite at the thought of what could be the outcome of commissions of new music specifically for this instrument partnership.ДҐ. There is a feast of music to be enjoyed, but it may be better to digest it in smaller portions rather than all at once.

There was plenty of midnight oil burnt on this one you suspect. One has to admire the skill and ingenuity of the production team with this recording - quite a logistical nightmare both in terms of choosing microphone locations and also finding times to record when there would be little extraneous noise. For two items Steven is joined by the talented Japanese euphonium player Misa Akahoshi. The remaining items are arrangements of works for voice (two settings of вЂAve MariaвЂ™, вЂPie JesuвЂ™), violin ( вЂChants RussesвЂ™), French horn ( вЂRomanceвЂ™) and piano ( вЂPoemвЂ™ and вЂSicilienneвЂ™). He gives precise instructions as to the organ registration, and also asks for the trombone to be muted at times to vary the tone colour -В all almost perfectly replicated by a soloist is total command of range and texture. In contrast, Gardner Read is believed to have had the alto trombone in mind when writing вЂInvocationвЂ™ hence the plethora of high tessitura. LisztвЂ™s вЂHosannaвЂ™ was written for bass trombone and organ, but the deep sonorities transfer well to the euphonium. Tessitura Pro contains all existing scales and modes in music (333 source scales / 1948 scales, modes, triads and sevenths in total) This app is ideal for jazz improvisation and composition. Study scales, modes, and melodic patterns like never before. His contemporary approach, dissonant and complex at times, makes for a challenging but rewarding musical experience. Tessitura Pro is a powerful tool for students, jazz players, arrangers and composers. Jan Sandstrom has worked closely with Christian Lindberg, for whom he wrote his second trombone concerto, as well as вЂLacrimae, LacrimaeвЂ™. The majestic sounds of the Laon Cathedral organ are heard in the more recent repertoire, but care has been taken so as not to swamp the soloist.ДЇour of the works were intended for trombone and organ: The substantial Holst вЂDuetвЂ™ consists of a funeral march and an aria, the organist being faced with quite virtuosic writing, which is handled with great aplomb.

Trumpeter Maurice Andre had considerable success with the Albinoni, and in StevenвЂ™s hands it sounds totally idiomatic, with a considered lightness of touch and tasteful expression.

It is an expertly crafted success, aided by an excellent collaborator in organist Lidia Ksiazkiewicz her choice of registration, coupled with the use of two contrasting instruments, bringing welcome variety into what could have been a rather monochrome sound picture.ДЇor the earlier works the small organ from the Church of St Pierre, Guignicourt is used a new instrument but one which suits the more intimate character of the music.Д«aroque music originally for woodwind or strings can be effectively portrayed on modern brass instruments, as is seen from the sonatas and concerto movement featured here.

address the Czech Office for Personal Data Protection (ГљЕ™ad pro ochranu osobnГch ГєdajЕЇ).ДЇor further information on the processing of personal data by LMC s.r.o.There have been many recordings undertaken by trumpet and organ, and a number written to feature the pairing with trombone, but Steven Mead once again breaks new ground in seeking this musical partnership with the euphonium.

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